Ring of Roses – Silk Ribbon Embroidered pincushion

All assembled ready to go!

I took a lovely relaxing silk ribbon embroidery class recently – it is such a wonderful medium for capturing flowers. The ribbons are 100% silk – which allows them to flow through your fabric easily. However, the ribbon roses are weaved through cotton Perle – so any ribbon can be used to make these roses!

If you think there maybe no room in your life for rose frippery, just imagine having these lovelies stitched onto your lingerie, they add a luxurious touch, or make a beautiful padded coat hanger for a special occasion dress. These things might seem old fashioned, but we have lost a lot of grace and charm – these little lovelies lift any item of underwear into a high end feature. Who doesn’t want a little bit of girlie luxury next to the skin?

I had the velvet passed to me among many vintage fabrics, it is a lovely deep blue, which compliments my little Japanese blue and white pot; which is the inspiration behind this project, it is beautiful but needing a purpose – a vintage tea cup would work just as well. I thought I would use the 4mm ribbons, as I wanted to keep the project quite dainty. Alongside you might need a little cotton Perle – I used green and pink. You also need stuffing to pad out the pincushion.

Create wheels with odd number of spokes

The ribbon effect is created by weaving the ribbon through cotton Perle spokes – in order for this to work effectively the number of spokes needs to be odd.

Anchoring the silk ribbons onto the needle

Use chenille needles, they should have a wide hole that runs within the needle shank and a sharp point, so that the needle can glide through the fabric easily. After you have threaded the needle, turn it back on itself and run the needle about 5mm from the point, (as shown by the light ribbon) pull this through to form a knot (the darker ribbon). The ribbon is now anchored – tie a knot the other end and begin as close to where your Perle spokes meet in the centre.

Weave your ribbon through the spokes

Weave the ribbon round the spokes, going over one and under the next, in a rotation. You should end up alternating – so that the ribbon goes under the spoke in the first round and over the spoke in the second round etc.

Stages of ribbon roses

If you twist the ribbon between the spokes, you will find you get petal like effects. You can even begin with a lighter/darker colour in the middle and change shade when you get to the outer petals.

Pure silk ribbon embroidery

Pulling the ribbon tight – creates a smaller rose, (left) or leaving it looser makes it more fluffy, (middle).

Ribbon embroidery, roses, ring

To make a ring, first draw a chalk line to follow – I then did a ring of Perle fly stitches along the line. My initial intention was to alternate roses inside and outside the line, but on this small scale it was better to keep them central.

Alternating inside and outside is losing the line

Keep making roses until the ring is complete – you can add little rosebuds by making two petals together.

ring of roses completed,

Because my pot was ceramic, I had to use a glue gun to secure the fabric in place – it is quite a tricky job. I stuffed it with wadding before stretching the velvet over. Making sure the ring was central to the pot.

Silk ribbon embroidery

I gave my cushion a real dome – this pot is only 5cm across, so it is tiny! But it looks very old fashioned and romantic, but then who doesn’t need a bit of romance in their lives?

spring flowers ribbon embroidery

This is the sampler from the workshop – as you can see you can make some delightful spring flowers – in no time at all!

I did my course with the very inspirational Lorna Bateman, you can see more of her wonderful work here, she also does a lovely ribbon rose pincushion kit if you want to make one of your own. Lorna has also written a wonderful book illustrating this fantastic medium available here. Or there are some wonderful silk ribbon embroidery books available. I can’t tell you how much I love this – while slow needlework is soothing to the soul, silk ribbon embroidery is really fast and fun!

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There’s no place like home … mini Hand Embroidered Quilt from vintage linen scraps

Mini Quilt - No place like home vintage Linens

I began this project back in March when the snow was thick on the ground and we were still hoping for signs of spring! Like my previous quilts – it is made up from the scraps of tablecloth I bought in a charity shop a couple of years ago. The backing was a little vintage napkin with a beautiful edge.

As much as I find I cannot resist buying crisp linen napkins in charity shops when ever I see them – they inspire domestic dreams of beautifully laid tables and elegant dining, another age when there was time to do things with grace.  The reality is that for every day use it it just doesn’t work. I have watched too many of these pristine white surfaces be smudged with pasta sauce – by guests who gave them as much thought as they would a throw away napkin. These things should be treasured – and this napkin measured just 15cm square the perfect size for another mini quilt.

Mini Quilt - No place like home vintage Linens

The little scraps of fabric came together delightfully – the square of blue has come out much darker than it does in reality – it is more of a soft winter blue. I used a blue washable ink pen to write out the words, I wanted the embroidery to be in my own handwriting. It did take a few revisions until I was happy with the words, they needed to be larger than normal to accommodate the stitching.

I liked the way the home ended in a little heart. I needed a strong blue to stand out – so I chose this beautiful winter blue – it is a vintage shade that I have combined with red for Christmas – so it made sense to use it for a winter quilt. I wanted the blue embroidered words and the house block to be the only colours.

Mini Quilt - No place like home vintage Linens

I chose the phase, ‘there’s no place like home’  because I am so contented in my life and I am a real home bird there is no other place I like to be. Our home is the first time I have lived in a Georgian house – the high rooms and tall bay windows make every day a pleasure. Only 8 years ago I was homeless – living in a friend’s spare bedroom – which has made me appreciate having my home much more.

Mini Quilt - No place like home vintage Linens

I think it was the right hand side piece of lace that inspired the quilt – it looked so much like the sun – all the other elements fell into place. Including the house roof – which came from another napkin – the curves also made a lovely detail for arched windows.

Mini Quilt - No place like home vintage Linens

Allowing a project to evolve over time – is one of the delights of making things for yourself. Having written for magazines I always felt restricted by the original idea – which I had sold to the editor – they expect it to be delivered exactly as you proposed it – which ended up restricting my creativity. Don’t get me wrong, it was delightful to see something in print, but it was a bit like in the Wizard of OZ – once you see behind the curtain you see all the illusion for what it is, and it changes you, forever. It was wonderful at the time – but it did have its downsides – like making things for Christmas during the August. So allowing a project to evolve is something I relish and this project has changed over the last few months.

Mini Quilt - No place like home vintage Linens

As the quilt grew I made brief decisions about what to stitch next – just going by what I felt like at the time. I followed the edges of the entredeux with a blanket stitch and chain stitching.

The centre sun outline was raised using couching, I had some charming fluffy wool that was a chunky knit in pale cream. It raised the centre sun panel swirl nicely and I love the added dimension it gives the quilt. The only difficulty with that is that you cannot see it from a photograph!

Mini Quilt - No place like home vintage Linens

I repeated the same couching around the flower in the garden,  you can see it half done in this photo. I also widened the lace pathway to make it more artistically pleasing.

It was then I noticed the house was not square and I was not happy with the windows, I used a couching/blanket stitch which made the struts of the windows look chunky. I also did not like the effect of the door. I only had one small square of blue so I tried a new piece of fabric for the house this time an aqua stripe.

Mini Quilt - No place like home vintage Linens

I made the door from a weaved stitch and did the same to make a dome like addition to the windows. But I really did not like that either. The vertical lines were too dominating so I unpicked it and unpicked all the windows from my original house and began again.

Mini Quilt - No place like home vintage Linens

I worked on the garden and the sky for a while – to give myself time to think about it. In the end I went back to the original, but the lovely curves looked far too chunky – I did not have any more linen to begin again so I just have to make the best of things.

Mini Quilt - No place like home vintage Linens

I really enjoyed making all the little daisies – for me the joy in this piece is that on the surface it just looks like a white picture – its only when you get up close that you can see the white stitching on the back ground. It adds dimension to the quilt, and the way the daisies dimpled the centre – added to the quilted effect.

No place like home quilt

I did a cloud like shape around the words, but just used a simple quilting running stitch over the sky, following the outline of the sun. I also couched the lose shapes in the rays to bring them under control a little more – as they were going out of shape. I would have liked the curl of the sun to be a little more regular but then perfection is not as important as the hand finished effect. I am not happy with the windows, they are still too chunky, but I’m ok with that.

No place like home completed

So here is the whole thing now completed with a crochet edge boarder. I am not really sure how to mount it yet, its on the blocking board ready to go when I have decided what to do. I don’t think embroideries should be behind glass because the pleasure of textiles is that they are touchable.

Its been a lovely journey – I think I am at the end of my mini quilt phase for now. Its taken three months to complete – but that has not been a constant project – just one I have picked up and put down between other projects.

I have to admit that while it is delightful to finish this – it has left me with a bit of gap now and I will have to find something else to do. I love embroidery because it is so portable – you can stitch sitting on the sofa together rather than being at the sewing machine on my own. I am going through my craft supplies and rescuing various UFO’s – who knows what I will find to do next.

Thanks for popping by, it is always such a joy to read your comments will be back with more when I have something to show.

 

 

A Spring Chicken… fabric panel Sweet tweets

Spring Chicken

I saw this cushion made up at my local fabric shop the Jolly Stitcher – I loved the combination of colours and I thought this fabric panel would be good fun to sew. I decided that it would make a lovely addition to my spring decorations.

The instructions were very clear – and easy to follow and pretty soon I was looking for ways to personalise it.

Sweet tweets bird cushion

I thought the pattern of flowers over the bird could do with a bit of embroidery – it would give me a little practice to hone my skills and try out new stitches.

Spring Chicken

I decided to quilt and embroider at the same time, as I wished to outline some of the pretty leaves as well as embellish the flowers. It was a fairly easy task accomplished in a few evenings while watching TV.

Sweet Tweets

I used a combination of weaving stitches, chain stitches and buttonhole stitch – trying to match the beautiful colour combinations as much a possible. I think the colours used was what excited me most about this project.

 

I thought the little fabric yoyo/ Suffolk puff came out beautifully when made, however, I wasn’t to sure about covering up the pretty eye design on the fabric.

Eye detail for cushion

In the end I opted to embroider the eye rather than cover it up with the yoyo/ Suffolk puff.

Sweet Tweets eye

It looked so pretty with the lovely colours and a nicer detail. I also struggled a little with the bird wings – they also covered up the pretty flower design but they looked so nice when they were sewn on.

Sweet Treats Embroidery bird cushion

Matching up each side of the cushion was tricky on the sewing machine – and the beak ended up virtually impossible to match without some white showing – so I ended up hand sewing the beak.

Spring bird cushion

this is the un-embroidered side and it looks lovely as it is – maybe I didn’t need to do all that embroidery after all – but then I always like to add a little bit of my own design into everything I do.

This was a lovely panel, easy to do and nicely put together – there is a smaller bird to go with this one – that I will make at a later date.

 

Rest – all is well Vintage linen Mini Quilt

Mini quilt - from Vintage Linens Relax all is well

I don’t know about you, but I simply adore vintage linens. I have a piles of white doilies and placemats as well as pretty tea trays and tablecloths.  I love the romantic notion of eating meals on white crisp linen, and have even used pretty napkins – until I saw someone spread the delicate white with tomato sauce!

Inspirational embroidery of gentlework

I came across the delightful embroidery of gentlework on Pinterest and followed the link to her inspirational blog. What bliss! The soulful embroidery made me feel inspired to make a little message of my own. I had felt rather poorly in the last few weeks, and a little burnt out so I decided to make a little wall hanging.

Vintage Linen mini quilt embroidery

I discovered a pack of lace pieces in a bag in a charity shop a few years ago – I snapped them up. Despite having piles of linen I simply cannot bring myself to cut them up but this time someone had already done this for me. The linen was white and fresh, it felt like sacrilege to age it so I left it white. I wrote the words using a blue wash away pen.

Vintage linen mini embroidered quilt

I added a few more embroidered flowers – daisy stitches and button hole rounds. The whole thing was approximately 6 inches wide by 10 inches long.

Hand Embroidery on Vintage linen

I used variegated thread for the word rest, but I could not decide how to do the all is well. I had to re-write it as the writing was too small to embroider effectively.

Mini Vintage linen Quilt Embroidery

The word ‘is’ ended up lost, so I whipped stitched it. I kept on unpicking and re doing – in the end I decided the pink was too pale.

Mini embroided quilt

I had a lovely piece of scalloped edging which I used to connect the top piece – it was a little different in colour, but I liked the effect. I then quilted it with various stitches using white Perle – I loved the way they created texture without detracting from the coloured embroidery.

Making tassels for edging - mini quilt

I crocheted an edge and decided to add tassels – it gave the quilt a little weight to change better.

Vintage Linen quilt

It is rare that I allow myself to simply play around – but it was enjoyable letting the little quilt evolve. I didn’t like the ‘All is Well’ part. I think next time I will use cotton Perle quite thick rather than embroidery floss.

It has been a soothing exercise, and quite addictive!

 

Moon Gazing Hare – Ostara Celebration

Moon Gazing Hare Embroidery

The Spring Equinox will be on the 20th March this year – it has felt like a long slog from January to Spring and so it is delightful to be looking at the signs of new life everywhere. This little embroidery was so quick to do, yet satisfyingly pleasurable – I am really getting into slow sewing!

The inspiration came from these two little hares in my Pinterest feed – the delightful movement of Angela Daymond’s Running Hare is beautiful in its simplicity. The embroidery is called Kantha stitching – comprising mostly of running stitch. Angela produces a number of kits that are simply wonderful.

While the design was stunning – I did not want to simply replicate someone else’s design so I came up with my own. I love the concept of the Moon Gazing Hare, there are images all over the internet right now – because it personifies Spring so well.

Moon Gazing Hare Embroidery

I bought a cut up vintage table cloth in a charity shop – the linen is well washed and is a delight to embroider on. I roughly traced my design with a blue washable pen and simply stitched round. It’s like colouring in – such a lovely meditative practice.

Moon Gazing hare outline

There is a delightful sewing shop not far from me called the Jolly Stitcher they run knit and natters on a Tuesday evening – I am hoping to go along soon because the shop is a delight. They had a wide range of Anchor and DMC threads – I wanted the circles around the moon to deepen in shades of blue. They had the most beautiful silver DMC E168, that was just perfect for the centre of the moon. I used Anchor blues ranging from 178 to 120 although I had to be careful – I picked out a lovely shade from another section – but it was more of a green blue and did not match the others at all.

Moon Gazing Hare Embroidery

I began stitching with a two strand thread, as you can see from the picture above but it idd not really give the effect I was looking for – so I ended up doubling up with four strands. I kept the stitching quite short and did a sort of back stitch on the wrong side, because I wanted the stitches to be quite close to one another.

Moon Gazing Hare Kantha Embroidery

I used the darker blue for the curls in the sky and filled it with a lighter blue in between. It gave the piece more depth of colour. I found that the direction of the stitches were important – especially spiralling around the leg of the hare.

Backing embroidery hoop

I used one of those hanging display hoops – and simply glued the fabric tightly against the inner frame. Once dry, I was able to trim the fabric back. I decided it needed a felt covering at the back to give some protection for the wall.

moon gazing hare embroideryThere are some elements of it that I feel could be improved, I would like to explore further the effect of closer stitching has on the overall tone of the piece. As a first project of this very effective stitching – I am pleased with the results.

Spring won’t be too far behind – hopefully!

ttfn x

 

Looking for a pincushion? Ask Fred..

sewing items sausage dog pincushion

Oh how I am missing the Great British Sewing Bee… Heather’s lovely little sausage dog pincushion was always sitting next to her sewing machine. When I saw the patten in Love Sewing Magazine I decided to make one of my own

Sausage dog pincushion 3

 

I had some lovely pink tweed left over from a project I made 6 years ago! As the pattern was for a door stop, I decided to decrease it a little. Everything is so much easier to hand sew – especially when you are working with tiny fiddly pieces like the head gusset and tiny ears.

Sausage dog pincushion 8

I decided to embellish him a little with some lazy daisies and fly stitches along his back.

Sausage dog pin cushion 7

He is a very friendly chap!

 

 

Burda Skirt 6834 – perfect for hourglass, curvy girls and sway backs!

 

1-DSC03728

Home fires will be back on our screens soon – I love the show and quietly  coveted the beautifully fitted wool suits the ladies of the WI wore – so this was the inspiration behind this skirt. I wanted to challenge myself to make a really fitted garment without using stretch fabric.

I am an hourglass – while it might be the ideal body shape, it tests fitting skills to the max! Not only is there a 6 inch difference between my waist and hip measurement, but being short the height between waist and full hip is only 4 inches! If you think about an hourglass it is a rounded shape, so it not just goes in at the sides but also the front and back – so a sway back is part of the challenge (not to mention the rise of the middle aged tummy!).

 

If, like me, you are curvy, the traditional A line skirt ends up with huge deep darts at the back but the six piece skirt, like this pattern, offers more opportunity to accomodate the bulk over six seams – so this is an ideal pattern for curvy ladies!

As you can see from the toile the waist has to be reduced by quite a lot, but each seam can divide the overall reduction – giving a lot of opportunity to refine the shape.

I had to add a few inches at the hip – it is easy to do, just draw a straight of grain line in the centre of the pattern piece and add inches. As long as you do this inside the pattern lines you won’t alter any of the pattern edges so it should all line up.

Burda 6834 toile second fitting

The waistline of the second toile needed some adjustment but you can see that this pattern makes enhances curves! As I am fairly short, I decided to go for a slimmer flute at the bottom.

Burda 6834 skirt

I had this beautiful purple wool fabric in my stash – we are not into summer yet and wool is such a great fabric to wear – it seems to maintain an ambient temperature. I wanted this project to test my fitting abilities – and wool is the ideal choice because you can shape it so easily with steam.

 

The left hand picture shows the skirt seam before it is steamed – I used my dummy to maintain my shape as I gently held my steam iron about 4 inches away. Then using a pressing cloth to gently work from the seam outwards- look how beautifully the seam lays open – but also because you can stretch and shape the wool – it hugs the body nicely.

In order to avoid the ‘librarian’ look I wanted my skirt to be a bit edgy, so this embroidery design by urban threads was ideal. The top left is the design on white, but when I tried it as a sample on the fabric the black was not enough of a contrast to do the embroidery justice, so I used lime green!

Burda 6834 lining

My first lining fabric was a nightmare I chose it because it was fushia pink and made a great contrast but  it was way to flimsy and ended up fraying so I had to completely rip it out and re-do the lining. I had this lovely weighty oyster polyester silk which complemented the skirt nicely I decided to end the lining at the straight edge rather than the frill. I hand stitched it between the skirt facing, (while watching England play Wales in the Rugby) again on the tailor dummy to maintain the shape. Hand stitching gives you so much control – I am addicted to it. Years ago I avoided it – wrestling with my machine to get the fabric under the foot. Then unpicking it because the seam was off – now it is just a case of placing a stitch exactly where I want it and no unpicking!

 

I love my fancy machine stitches and never find much use for them – so it was nice to use a patterned stitch at the edge of the lining.(top right)  I made little chain tacks using in soft cotton Perle it holds the lining in place but allows for some movement. I also embroidered a tiny loop for my top closure using buttonhole stitch – my hand embroidery skills come in useful! It is these tiny details that give me such satisfaction. I don’t want my sewing to be the same as a shop bought skirt – I want it to be better! These details have mostly disappeared as clothing is made as fast and as cheaply as possible.

I love my skirt – it was a painstaking effort in all it took me three weekends to make but it was worth it. The lining slips around beautifully and it is so warm and figure hugging – I could never buy the same fit, I am just too oddly shaped!

The fitting took a lot of time but that was the challenge of this exercise and I have my toile to make more skirts!

I would recommend this pattern – its the first time I used a Burda pattern – having learned a few couture techniques I thought wrongly that Burda patterns did not include a seam allowance, but they have changed.  I think Burda have some great styles and the instructions are straight forward, although I have to admit, I didn’t follow them!

ttfn x