There’s no place like home … mini Hand Embroidered Quilt from vintage linen scraps

Mini Quilt - No place like home vintage Linens

I began this project back in March when the snow was thick on the ground and we were still hoping for signs of spring! Like my previous quilts – it is made up from the scraps of tablecloth I bought in a charity shop a couple of years ago. The backing was a little vintage napkin with a beautiful edge.

As much as I find I cannot resist buying crisp linen napkins in charity shops when ever I see them – they inspire domestic dreams of beautifully laid tables and elegant dining, another age when there was time to do things with grace.  The reality is that for every day use it it just doesn’t work. I have watched too many of these pristine white surfaces be smudged with pasta sauce – by guests who gave them as much thought as they would a throw away napkin. These things should be treasured – and this napkin measured just 15cm square the perfect size for another mini quilt.

Mini Quilt - No place like home vintage Linens

The little scraps of fabric came together delightfully – the square of blue has come out much darker than it does in reality – it is more of a soft winter blue. I used a blue washable ink pen to write out the words, I wanted the embroidery to be in my own handwriting. It did take a few revisions until I was happy with the words, they needed to be larger than normal to accommodate the stitching.

I liked the way the home ended in a little heart. I needed a strong blue to stand out – so I chose this beautiful winter blue – it is a vintage shade that I have combined with red for Christmas – so it made sense to use it for a winter quilt. I wanted the blue embroidered words and the house block to be the only colours.

Mini Quilt - No place like home vintage Linens

I chose the phase, ‘there’s no place like home’  because I am so contented in my life and I am a real home bird there is no other place I like to be. Our home is the first time I have lived in a Georgian house – the high rooms and tall bay windows make every day a pleasure. Only 8 years ago I was homeless – living in a friend’s spare bedroom – which has made me appreciate having my home much more.

Mini Quilt - No place like home vintage Linens

I think it was the right hand side piece of lace that inspired the quilt – it looked so much like the sun – all the other elements fell into place. Including the house roof – which came from another napkin – the curves also made a lovely detail for arched windows.

Mini Quilt - No place like home vintage Linens

Allowing a project to evolve over time – is one of the delights of making things for yourself. Having written for magazines I always felt restricted by the original idea – which I had sold to the editor – they expect it to be delivered exactly as you proposed it – which ended up restricting my creativity. Don’t get me wrong, it was delightful to see something in print, but it was a bit like in the Wizard of OZ – once you see behind the curtain you see all the illusion for what it is, and it changes you, forever. It was wonderful at the time – but it did have its downsides – like making things for Christmas during the August. So allowing a project to evolve is something I relish and this project has changed over the last few months.

Mini Quilt - No place like home vintage Linens

As the quilt grew I made brief decisions about what to stitch next – just going by what I felt like at the time. I followed the edges of the entredeux with a blanket stitch and chain stitching.

The centre sun outline was raised using couching, I had some charming fluffy wool that was a chunky knit in pale cream. It raised the centre sun panel swirl nicely and I love the added dimension it gives the quilt. The only difficulty with that is that you cannot see it from a photograph!

Mini Quilt - No place like home vintage Linens

I repeated the same couching around the flower in the garden,  you can see it half done in this photo. I also widened the lace pathway to make it more artistically pleasing.

It was then I noticed the house was not square and I was not happy with the windows, I used a couching/blanket stitch which made the struts of the windows look chunky. I also did not like the effect of the door. I only had one small square of blue so I tried a new piece of fabric for the house this time an aqua stripe.

Mini Quilt - No place like home vintage Linens

I made the door from a weaved stitch and did the same to make a dome like addition to the windows. But I really did not like that either. The vertical lines were too dominating so I unpicked it and unpicked all the windows from my original house and began again.

Mini Quilt - No place like home vintage Linens

I worked on the garden and the sky for a while – to give myself time to think about it. In the end I went back to the original, but the lovely curves looked far too chunky – I did not have any more linen to begin again so I just have to make the best of things.

Mini Quilt - No place like home vintage Linens

I really enjoyed making all the little daisies – for me the joy in this piece is that on the surface it just looks like a white picture – its only when you get up close that you can see the white stitching on the back ground. It adds dimension to the quilt, and the way the daisies dimpled the centre – added to the quilted effect.

No place like home quilt

I did a cloud like shape around the words, but just used a simple quilting running stitch over the sky, following the outline of the sun. I also couched the lose shapes in the rays to bring them under control a little more – as they were going out of shape. I would have liked the curl of the sun to be a little more regular but then perfection is not as important as the hand finished effect. I am not happy with the windows, they are still too chunky, but I’m ok with that.

No place like home completed

So here is the whole thing now completed with a crochet edge boarder. I am not really sure how to mount it yet, its on the blocking board ready to go when I have decided what to do. I don’t think embroideries should be behind glass because the pleasure of textiles is that they are touchable.

Its been a lovely journey – I think I am at the end of my mini quilt phase for now. Its taken three months to complete – but that has not been a constant project – just one I have picked up and put down between other projects.

I have to admit that while it is delightful to finish this – it has left me with a bit of gap now and I will have to find something else to do. I love embroidery because it is so portable – you can stitch sitting on the sofa together rather than being at the sewing machine on my own. I am going through my craft supplies and rescuing various UFO’s – who knows what I will find to do next.

Thanks for popping by, it is always such a joy to read your comments will be back with more when I have something to show.

 

 

Rest – all is well Vintage linen Mini Quilt

Mini quilt - from Vintage Linens Relax all is well

I don’t know about you, but I simply adore vintage linens. I have a piles of white doilies and placemats as well as pretty tea trays and tablecloths.  I love the romantic notion of eating meals on white crisp linen, and have even used pretty napkins – until I saw someone spread the delicate white with tomato sauce!

Inspirational embroidery of gentlework

I came across the delightful embroidery of gentlework on Pinterest and followed the link to her inspirational blog. What bliss! The soulful embroidery made me feel inspired to make a little message of my own. I had felt rather poorly in the last few weeks, and a little burnt out so I decided to make a little wall hanging.

Vintage Linen mini quilt embroidery

I discovered a pack of lace pieces in a bag in a charity shop a few years ago – I snapped them up. Despite having piles of linen I simply cannot bring myself to cut them up but this time someone had already done this for me. The linen was white and fresh, it felt like sacrilege to age it so I left it white. I wrote the words using a blue wash away pen.

Vintage linen mini embroidered quilt

I added a few more embroidered flowers – daisy stitches and button hole rounds. The whole thing was approximately 6 inches wide by 10 inches long.

Hand Embroidery on Vintage linen

I used variegated thread for the word rest, but I could not decide how to do the all is well. I had to re-write it as the writing was too small to embroider effectively.

Mini Vintage linen Quilt Embroidery

The word ‘is’ ended up lost, so I whipped stitched it. I kept on unpicking and re doing – in the end I decided the pink was too pale.

Mini embroided quilt

I had a lovely piece of scalloped edging which I used to connect the top piece – it was a little different in colour, but I liked the effect. I then quilted it with various stitches using white Perle – I loved the way they created texture without detracting from the coloured embroidery.

Making tassels for edging - mini quilt

I crocheted an edge and decided to add tassels – it gave the quilt a little weight to change better.

Vintage Linen quilt

It is rare that I allow myself to simply play around – but it was enjoyable letting the little quilt evolve. I didn’t like the ‘All is Well’ part. I think next time I will use cotton Perle quite thick rather than embroidery floss.

It has been a soothing exercise, and quite addictive!

 

Moon Gazing Hare – Ostara Celebration

Moon Gazing Hare Embroidery

The Spring Equinox will be on the 20th March this year – it has felt like a long slog from January to Spring and so it is delightful to be looking at the signs of new life everywhere. This little embroidery was so quick to do, yet satisfyingly pleasurable – I am really getting into slow sewing!

The inspiration came from these two little hares in my Pinterest feed – the delightful movement of Angela Daymond’s Running Hare is beautiful in its simplicity. The embroidery is called Kantha stitching – comprising mostly of running stitch. Angela produces a number of kits that are simply wonderful.

While the design was stunning – I did not want to simply replicate someone else’s design so I came up with my own. I love the concept of the Moon Gazing Hare, there are images all over the internet right now – because it personifies Spring so well.

Moon Gazing Hare Embroidery

I bought a cut up vintage table cloth in a charity shop – the linen is well washed and is a delight to embroider on. I roughly traced my design with a blue washable pen and simply stitched round. It’s like colouring in – such a lovely meditative practice.

Moon Gazing hare outline

There is a delightful sewing shop not far from me called the Jolly Stitcher they run knit and natters on a Tuesday evening – I am hoping to go along soon because the shop is a delight. They had a wide range of Anchor and DMC threads – I wanted the circles around the moon to deepen in shades of blue. They had the most beautiful silver DMC E168, that was just perfect for the centre of the moon. I used Anchor blues ranging from 178 to 120 although I had to be careful – I picked out a lovely shade from another section – but it was more of a green blue and did not match the others at all.

Moon Gazing Hare Embroidery

I began stitching with a two strand thread, as you can see from the picture above but it idd not really give the effect I was looking for – so I ended up doubling up with four strands. I kept the stitching quite short and did a sort of back stitch on the wrong side, because I wanted the stitches to be quite close to one another.

Moon Gazing Hare Kantha Embroidery

I used the darker blue for the curls in the sky and filled it with a lighter blue in between. It gave the piece more depth of colour. I found that the direction of the stitches were important – especially spiralling around the leg of the hare.

Backing embroidery hoop

I used one of those hanging display hoops – and simply glued the fabric tightly against the inner frame. Once dry, I was able to trim the fabric back. I decided it needed a felt covering at the back to give some protection for the wall.

moon gazing hare embroideryThere are some elements of it that I feel could be improved, I would like to explore further the effect of closer stitching has on the overall tone of the piece. As a first project of this very effective stitching – I am pleased with the results.

Spring won’t be too far behind – hopefully!

ttfn x

 

How to Display a Hand Embroidery Sampler

embroidery-sampler-preparation

 

The joy of going through my things is that I discover many of the tiny sample pieces I did for various projects. This hand embroidery sampler was for a class I was running bringing with it memories of many happy hours making it. It seemed such a pity to leave it forgotten in a box, so I decided to mount it on a canvass and turn it into a piece of artwork.

 

I added a 2 inch fabric border around the outside just to frame the sampler, and then I added some contrasting plain fabric to the bottom and top, as my little canvass was a bit too long for my piece. I also had a number of felt flowers and hand made buttons in the box so I added them to the top for a little more interest.

felt-flower

I padded the back with a little wadding and quilted a couple of small areas, before mounting it to the small canvass with a hot glue gun. It’s not easy, I found I had to hold the fabric quite firmly – I should have left more material so I could have secured it round the back instead of round the sides.

spring

The colours are much more garish in these photographs, the whole project is done in muted pastel shades which seem to have changed a little when photographed!

I love the spring colours – it adds to my little Spring Display. I found the bird ornament in a charity shop and could not resist it.

I am delighted that I can admire all that hard work – and that it is now a piece of artwork and not crumpled forgotten in a basket.

 

Mindful stitchery – hand embroidery

 

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Turn of the sewing machine and settle down to a more sedate pace, the gentle art of hand embroidery is creative mindful meditation. Far more transportable than machine sewing, hand embroidery can be enjoyed while watching a good film, sitting in a waiting room or travelling by train. You only need a few skeins of thread, small embroidery hoop and a good long needle.

While embroidery techniques might seem outdated they are essential to the dressmaker, couture sewing is always hand stitched – these techniques can give your garment a high end finish!

There are two forms of embroidery that delight me, the vintage style spring pastels on cotton and the glorious vibrancy of folk art on wool.

I am planning a hand embroidery afternoon – with tea cake and stitchery, so I thought I would create a few samplers.

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One of the most challenging aspect is to create evenly spaced stitches especially on cotton this sample is only 6inches wide by 8inches long on a 100% cotton.

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This close up shows the weave of this cotton – getting the spacing right is essential especially for stitches that are woven.

As you can see the couching, weaving and cross-stitches need to look uniform so there is a great little trick I can offer you.

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Create a grid using washable marker pen, the guidelines will help you to create even stitches but they can be washed away after the project is done! (You did not see them in the earlier example!) once you have completed a few stitches with the grid, you will get a feel for the distance needed and will be able to stitch evenly without.

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Using wool felt creates a whole different effect, like folk art, this piece was created some time ago by eye!

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And it is easy to use ribbon weaving to create a nice frame for stitches, this time using tapestry wool.

If you fancy an afternoon of Tea, Cake and embroidery I am running a class on Friday 11 March 2016 – details here.

ttfn x